This delightful Migration 3D-2D Alaska Native art shadow box frame with a single mask with moving eyes by John Oscar. This one features a single 3-D carved mask with moving eyes that follow you on a heavy-duty premium quality photo paper. The intricate mask rests against a printed background, adorned with a real feather. Your viewers will be fooled at first glance that the background is actually a print. As the season unfolds, fish and wildlife embark on their migration journey to Alaska. Story Included.

High glossy Photo Paper Pro Platinum by Canon/80lbs.
Outside dimensions 11-5/8" x 14-5/8" x 1-3/8"
Includes Ivory Mat with 8x10 opening
Shadow Box Black Frame Hanger Included
Includes glass and backing
Comes ready for wall mounting
Will accept 4-ply mat board
Mixed media: Kuskokwim driftwood and feather

3D-2D FULFILLMENT: Preorder items are made on demand. Each single mask is hand-carved, painted, and dried over a careful 1-day process to ensure the drying, uniqueness and fine quality of every original piece. Orders typically ship on the second or third day, depending on the time the preorder is placed and frame size availability. Shipping is handled through USPS Priority Mail, and a tracking number will be provided for your convenience. Please note: Bethel does not offer Express Mail service, so all orders will be sent via Priority Mail.

Migration 3D-2D

Name: Migration 3D-2D
SKU: M-11x14Migration3D-2D
Price: 129 USD
Availability: OutOfStock

SKU: M-11x14Migration3D-2D

$129.00

Quantity

Made to order

Each year, as seasons shift, all creatures return to their habitats. Each year, they present themselves to hunters and gatherers revealing their duty, vitality, and purpose. They were not mere resources; but respected beings with their own life force to enable man to exist on this planet.

These creatures also had eyes to observe how humans treat their bodies during the preservation process. This attention reflected an understanding of Yup’ik interconnectedness and his stewardship.

They placed animal parts and figurines on masks, carrying both practical and symbolic significance. They bridged the gap between the humans and Ellam Yua who was above all his creations on earth. We borrow from his creations. Masks were not idols as they were just “pretend carvings” and used to celebrate thanksgiving each year.

Imagine the bladders of birds and animals swaying on strings, carefully dried and inflated as delicate balloons with dried tundra tea leaves still inside. They made a sound when shook symbolizing these creatures.

They hung carved figurines (calinguat) toys on strings in the Qas’giq (a communal house) and swung in rhythm to the drums. The joyful event everyone shared was the legacy of their wellbeing, symbolizing Ellam Yua’s love through these creatures. These creatures understood their purpose was to serve man.

After the celebration, children would receive these toys from the strings, and the animals returned expressing their gratitude for the respect and thanksgiving the humans shared. Pleased by the selflessness, Ellarpiim Yua granted them permission to celebrate life again alongside humans at their next migration.